Its been so lovely to have a day to myself just getting back in touch with my pen!
I love trying different media and get so excited about combining them but sometimes the simplicity of just a pen and paper and time to doodle are are one of life's little luxuries.
I can't get enough of looking at Fish and trying to capture their lovely sleek scales and the infinite forms of their shapes and colours. The more you look, the more you see all kinds of repeating patterns and the more we observe the details the better we get at drawing.
The section below shows the repeating patterns and the lines that give the fish its structure and shading. This is the fish before I cut it out.
The collaged page is in my Fishy Sketchbook. A whole book of fishy moments! It's good to return to it when I need a fishy fix!
Monday, 29 August 2016
Saturday, 27 August 2016
Moon Child
We have had some beautiful Summer evenings lately here in the UK. Summer has arrived at last and at the end of the day when everything is quiet even our rather scruffy garden looks so lovely in the moonlight!
There is usually a soft breeze which sways the branches of the trees and the shamefully overgrown grass and the large golden Harvest Moon makes everything looks magical.
I wanted to capture the way that the moonlight shines in cool, silvery slivers on everything it touches, only just highlighting the textures of nature and making us imagine the shapes still in shadow.
I'm not very good at drawing faces. I usually avoid them and draw something else instead. But as I usually encourage my students to be fearless I thought I'd take my own advice and try painting a moonlit face on a black background.
I started with a wash of black acrylic on watercolour paper followed by a wash of metallic gold and bronze to give a bit of shimmer.
Then I painted the face with a wash of thinned white. I wanted the darkness to provide the shadows. The rest of the paper was filled with plant shapes in the same wash of white. The brush still had a bit of gold on it so there are yellowy hints in there too.
I then had a lovely time back in my comfort zone, with my trusty white pen, doodling in all the moonlit highlights.
I'm quite pleased with it! I like the way the gold peeks through the white wash to give it some depth and just a little bit of shimmer.
Here is a close up of the eye so you can get a better look at the layers.
There is usually a soft breeze which sways the branches of the trees and the shamefully overgrown grass and the large golden Harvest Moon makes everything looks magical.
I wanted to capture the way that the moonlight shines in cool, silvery slivers on everything it touches, only just highlighting the textures of nature and making us imagine the shapes still in shadow.
I'm not very good at drawing faces. I usually avoid them and draw something else instead. But as I usually encourage my students to be fearless I thought I'd take my own advice and try painting a moonlit face on a black background.
I started with a wash of black acrylic on watercolour paper followed by a wash of metallic gold and bronze to give a bit of shimmer.
Then I painted the face with a wash of thinned white. I wanted the darkness to provide the shadows. The rest of the paper was filled with plant shapes in the same wash of white. The brush still had a bit of gold on it so there are yellowy hints in there too.
I then had a lovely time back in my comfort zone, with my trusty white pen, doodling in all the moonlit highlights.
I'm quite pleased with it! I like the way the gold peeks through the white wash to give it some depth and just a little bit of shimmer.
Here is a close up of the eye so you can get a better look at the layers.
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